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100 Ways to Write Your Own Eulogy (Dot Com): A web series
A suicidal eulogy writer tries to save her family from financial ruin with the help of her transgender son.
Saint John the Divine in Iowa: A feature screenplay
An Episcopal priest who always goes the extra mile finds that loving unconditionally is easier said than done when her lesbian daughter brings home a polyamorous gender non-conforming girlfriend who pits the Reverend’s priestly commitments against her instincts as a mother.
Run from Fire: A feature screenplay
The director of a women’s shelter crosses the line after a local fireman turns the violence he usually reserves for his wife onto her.
Writing Samples
Murder by Psychotherapy
Characters
Marcia: late thirties, a stockbroker.
Jon: a little younger than Marcia, her boyfriend.
Anita: fifties, their couple’s therapist.
Scene 1
(Marcia and Anita sit in Anita’s psychotherapy office, waiting for Jon, who is two minutes late when the play opens.)
Marcia: I can’t believe he’s late—
Anita: I know, I know—
Marcia: Especially after last night—
Anita: What happened?
Marcia: (Pause.) He said he’d be here. He said…he promised, even if I did freak him out… okay, maybe it’s like that time on Friends when David Schwimmer’s new wife Emily—only they weren’t married yet, that came after—anyhow, Emily came from London at the same time David was going to see her and he had to hear her answering machine through the window—
Anita: Marcia, I think we should start. Tell me about last night.
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Marcia: Can’t you see I’m talking about something important here?
Anita: Yes, but—
Marcia: And I am paying you.
Anita: You said something happened last night.
(Jon enters.)
Jon: I was late.
Anita: Well there’s a surprise.
Jon: Sorry. I couldn’t find a parking place.
Anita: Last night, or today?
Marcia: His cell phone battery was dead or he would have called me. That does happen sometimes. Imagine if it had happened in Grand Canyon. Kevin Kline would have been killed by that gang before Danny Glover got there to save him—
Jon: Marcia, no one hurt me. It was okay. We made it through the late thing okay, remember?
Anita: So what happened then?
Jon: (Looks at Marcia.) We fell asleep.
Anita: You fell asleep?
Jon: Right. We fell asleep. It was late, okay, Anita? We made love, and then we fell asleep.
Anita: Both of you?
Jon: No, just me. I got my rocks off and passed out.
Anita: The sarcasm is not necessary, Jon.
Jon: You know, I think you’re making things worse.
Anita: You need to comply with our agreements. You could have set an alarm—
Jon: It’s fucking late at night, okay? So you don’t always think of things ahead of time.
Anita: Obviously that’s something to work on.
Marcia: Just tell her what I did.
Anita: Marcia, we’ve talked about your habit of blaming yourself.
Marcia: I’d like to see you find someone else to pin this one on. God, even Bobby Donnell on The Practice couldn’t get me off—
Jon: Can we get to the fucking point here? Pun intended.
Marcia: I’m sorry, Jon.
Anita: Marcia, are you alright?
Ladders to God
Characters:
Bernadette: adult thirties, lesbian; never leaves the stage.
Bernadette: teen almost 15 at start of play, 16 at end, Agnes’ eldest daughter, lesbian.
Agnes: early forties, Catholic housewife and Catholic school secretary, mother of seven.
Sister Rita: fifties, Catholic school principal, Agnes’s lover.
Time
1974-1976
Scene 2
(Adult Bernadette opens a hand and a single shaft of light from heaven falls on Teen Bernadette. Underneath teen Bernadette’s saint’s robe she is dressed in culottes and a T-shirt. Teen Bernadette folds her hands as if in prayer, and lifts her face.)
Bernadette
Dear Jesus,
I just want you to know I could be strong. I mean, if you want to test me, I’m ready. You could even treat me like a saint. If you want to cut out my eyes like Saint Lucy…Jesus, you can have my eyes. I’ll give them to you. And I would be faithful like her even with a sword in my heart. I would keep praying to you.
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(Lights go to normal. Bernadette speaks loudly, trying to get Agnes to hear.)
My mother says I never stop talking anyhow, so that shouldn’t be a problem. She says if you’re named after a saint, you should act like one. And I’m trying. But Jesus, it’s not easy when you’re named after a saint like Bernadette who’s so quiet and good. If I was named after a louder saint like Joan of Arc…you know, a hero. That would be better. Then I could lead an army of men and show my Mom that girls can do everything they can. No offense to Bernadette, of course. I mean, she’s not that bad a saint. After all, your mother picked her for the vision, right? And it must have been really hard for Bernadette when even her own mom didn’t believe a word she said…about seeing the Lady, I mean, the Virgin Mary. Everyone thought Bernadette was crazy but I would have believed her. I mean, I like Bernadette. I like girls. I like them a lot, Jesus. And that’s the truth. I mean, I love your mother. Hail Mary Full of Grace, The Lord is with thee. Blessed Art Thou among women and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death, amen. See?
Agnes
(Entering the living room.)
Bernadette? Bernadette? Come down here, please. I need your help.
Bernadette
(Bernadette begins to speak louder, trying to get her mother to hear.)
Jesus, about my mother. Maybe she wouldn’t sit around staring at nothing all the time if you made her like louder saints. She doesn’t have to not like the quiet ones. She could like both. It’s just, I’m better at dying at the stake or getting eaten by lions or even helping the Indians than being like Bernadette, waiting until the waters come and suffering silently.
Agnes
(Still in living room.)
Bernadette, I’m calling you.
Bernadette
No offense to anyone, I mean I know those waters Bernadette found in Lourdes helped a lot of people.
Agnes
(Still in living room.)
Bernadette!
(She waits. When Bernadette does not answer, she exits.)
Bernadette
Jesus, please let my mother know that it’s okay to be loud. Not that I’m telling you your job or anything. Sister Theresa in seventh grade said we should pray for your will and to know what it is. But you definitely made me this way. And I should be appreciated for it, right?
Agnes
(Entering the bedroom.)
Bernadette, what are you doing in my bedroom? I need help with the kids. They’ve been running around like crazy since school let out for the summer—
Bernadette
And make it so my Dad doesn’t go bankrupt ever again.
Agnes
Are you listening?
Bernadette
Liking girls and being loud in your service forever and ever. Amen. Yes, Mom.
Agnes
Bernadette Eileen O’Malley, were you on the phone again?
Bernadette
No—
Agnes
Because you need to change your brother’s diaper. You know what to do if he starts crying?
Bernadette
Burp him. Then sing.
Agnes
And then you can help your sister make cupcakes. Use the Easy Bake oven, she always likes when you help her with that.
Bernadette
Anything else?
Agnes
(Beat.)
Are you being smart with me?
Bernadette
No.
Agnes
Because I’m at the end of my rope, here, Bernadette. Your father’s away on business for the third time this month and I don’t even know anyone here and tomorrow I have that job interview at the school and the twins are fighting again and I don’t need you up here on the phone when you’re all I’ve got, understand? Do you understand?
Bernadette
Yes.
Agnes
I need you to help me.
Bernadette
I know, Mom.
Agnes
I need this job. You need for me to get this job if you want to eat.
Bernadette
I know. I was praying. About you.
Agnes
I hope you remember the teachings of Jesus. “The meek shall inherit the earth.”
Bernadette
I’m trying…to do God’s will.
Agnes
God wants you to honor your father and your mother.
Bernadette
I’m sorry. I didn’t mean it. I know you’re nervous.
Agnes
I haven’t worked since college. Your father didn’t want me to.
Bernadette
You’ll be great, Mom. And think, it’s just like when you used to help out at the rectory at our old school. It’s just a nun instead of priests, and this time you’ll get money. You should say about the rectory at the interview.
(Pause.)
And you should say to Dad it’s like the rectory. When he comes home, I mean. So he won’t get mad.
(Beat.)
If he calls when you’re at the interview I’ll say you’re food shopping. He always believes me.
(Beat.)
Things will get better, Mom, really—
Agnes
You don’t know that—
Bernadette
You’ll feel better when you have a job.
Agnes
(Beat.)
I hope you’re right Bernadette.
Adult Bernadette and Teen Bernadette
Mom…it’ll be okay. Trust me.
Agnes
(Beat.)
I don’t even know what I should wear.
Bernadette
Wear the blue seersucker with the navy blazer. It’s not like a business job. You don’t need a suit.
Agnes
Make-up?
Bernadette
Light, I think. And your gold earrings from Grandma. That’s what you’ll be wearing to work. After you get the job.
Agnes
I hope it’s not muggy like today.
Bernadette
It won’t be.
Agnes
That always makes me feel peaked.
Bernadette
(Pause.)
I could start dinner if you want.
Agnes
Just set the table. I have macaroni in the oven.
Bernadette
You should rest before your interview. Why don’t you lay down?
Agnes
I think I will.
Bernadette
Let me feel your forehead.
Agnes
That’s alright. Just take care of the kids.
Bernadette
I could stay with you.
Agnes
Maybe some other time.
Bernadette
Okay. If you’re sure.
Agnes
I’m sure.
(Beat.)
And please don’t get them all riled up.
Bernadette
But they like it if you make things into a game.
Agnes
Bernadette—
Bernadette
Never mind. I won’t.
Agnes
Now go. I need some quiet.
(Bernadette starts to exit.)
Bernadette?
(Beat. Teen Bernadette looks at her mother.)
Thank you.
(Bernadette lifts her hands to prayer position and mouths, “Thank you, Jesus.”)
Priest Kid
Prologue
My mother’s sermons smelled like oranges. Lying in my single bed on Sunday mornings, I woke to the scent that seemed to waft up from the clean white pages held in the manila folder she used to carry them to church. A folder she never changed, even then a believer in recycling.
I’d go downstairs to where my father leaned his weight onto an actual orange, squeezing juice for me into a glass measuring cup, but it seemed as if the smell lifted us all —my mother in her car, driving alone to the church, my father and I following in his car, a half hour later.
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The smell placed me next to my father in the second row pew where we always sat, my fingers sliding over the shining wood as I tucked my skirt around my bare legs. Each week I refused the joke books and Tic-Tac-Toe my father offered and instead watched my mother on the raised platform of the chancel, her dark curly hair falling over the Episcopal vestments patterned in gold.
And when she ascended to the pulpit, and began to speak, her words opened around me like tiny packages filled with that bright, sweet scent. Standing in the light of the stained glass, my mother explained the world. She lit up with grace—because she possessed it, the real thing, that dignity, that power—and she’d look down once in a while and meet my eyes, letting me know the biblical quotes and poetry, the small jokes and lessons, were just for me.
Or so I thought.
And then it was over. A quick hug from her before she went to the line of waiting parishioners, if I was lucky. If not, I watched them gather around her. The Sermon on the Mount all over again.
I went back home with my father, where he’d watch football or grade papers and I’d go up to my room to read and wait, curled on my single bed, hoping there were no baptisms, no deaths, no marriages, no Bible study classes, to keep her from me.
My mother, the love of my life, whom I waited for, and received like a blessing, late at night after her visits to prisons, to the dying, to the homeless, and then early in the morning before I left for school and she went to her office at the church.
Not like other mothers.
So determined to do right by everyone.
And I can’t even say she forgot me, ever. She squeezed me in after school and before Eucharist, on evenings when she could leave her responsibilities alone. I don’t think she ever forgot to try.
But still, I waited, hours and hours, maybe that whole first part of my life.
Not for my father, who made me dinners, who tucked me in. But for the parent who always had a list of people for whom she needed to be that shining figure of grace.
Chapter One
When I head home from Stanford to visit my mother, the vibration in my body turns up, until my cells sing like notes from a 12-string guitar. Too many notes, really. Longing, hope, the prayer that peace will come, that I will be like her, that I won’t, that she’ll tell me what to do, that she’ll listen, for once, without comments or questions.
I could be the subject of my own psych dissertation. Really. Mommy issues. Give me a break.
But I can’t help tracking the way she looks, from that first moment in the airport terminal. Tonight will be no different: I’ll search for her face, and try to catch her before she sees me. Will her bones hold the suffering she sees every day? Will the skin and muscles pull her face into heaviness? Or will she have been able to set it aside? It’s not whether she’ll light up—she always does—it’s the effort it will cost her. It’s the dimming of her on holidays, or any time the people she serves falter, or need or, cry. Where do I go, wanting home, if she hasn’t found a way to arrive?
I thought about skipping Easter. I’d already skipped Christmas—not a popular decision—and it seemed easier to miss again. The wish and the hope—I wanted to skip them. Because no one with compassion could bring her one more problem to solve, right? And I had nothing to bring her but the mess I was making of my life.
I bought the plane ticket the week before, my finger hovering over the mouse for a long moment before I clicked “Yes.” My father demanded to pay and I let him. As I always did. Because then he could do his Dad thing, puffing up a little, getting protective, getting into the my little girl, I’ll do anything for you.
Annoying and sweet.
I twist my too-thick hair into a braid before I walk off the plane, down the long tunnel of hallway, over the thin carpet and linoleum, under the fluorescent lights, and down to baggage claim, where he waits, hands in his pockets, the familiar blue-button down.
He’s alone. She didn’t even come.
He hugs me, and I inhale the scent of male sweat, of laundry detergent and starch, of the hamburger he no doubt ate on the way.
“Sarah, Sarah, Sarah,” he says. “Too long. Eight months is seven too long.”
He steps back and looks at me. And does what he always does; makes an excuse for my mother.
“Remember Tiff, that girl you used to babysit? Her mom’s got cancer. She could be dying as we speak.”
I stare, without changing expression. He drops his hands from my arms. I turn away.
“Okay.” I go to the slow moving carousel, stare into the metal panels as if I could see myself in their burnish: hippie girl, braided hair, thick eyebrows, a face both intelligent and ultimately Midwest. Give me a makeover and I could do a commercial for household products. That Americana look. Which is a complete deception. Because that girl could never be this angry, clenching and unclenching her fists against the dying, and their endless, terrible needs.
When my bag finally drops down the conveyor and comes within reach, I grab and lift the old canvas duffel bag. And because I’m angry at my sweet, innocent father, I sling it over my shoulder, even though he reaches out to take it for me.
“Where’s the car, Dad?” I ask him.
“Don’t be that way, Sar,” he says. “You know she wanted to be here more than anything.”
I take off my Indian-patterned skirt swirling around my thighs, purple and blue, but then I stop because only he knows where we’re headed. He gives me that look, hurt for my mother, his mouth downturned like a child. A sad, unbearded Santa Claus. I relent and take his arm as we walk to the car, his old/new car, a silver Camry, replacing the last silver Camry. He turns on Sirius—always the tech geek—and starts telling me about his students at the university, about how one invented an app that helps people find clean water, a technological dowsing stick. Then he keeps on right on chatting about the gig he played with his old band mates, middle-aged men shedding their button-downs for ratty T-shirts and cargo shorts, for electric guitar and bass.
I listen to him the way I always do, with barely enough attention to drop the occasional uh-huh, or really? The streetlights fall over his earnest, round face and his bald pate when we pass. Streaks trace the windshield in front of me, but the exterior shines, pristine—the guys at the car wash must have cleaned the outside and missed wiping the inside glass.
Of course. He went to the car wash before picking me up. She probably reminded him to do so. Making everything right for this visit.
We drive past my old school, him reminiscing about the time I’d fallen off the monkey bars, filling us both with images of Band-Aids and Neosporin, stitches, bikes, and birthday parties. I trace my finger over the old scar on my knee. I can see him rushing through the emergency room doors with me in his arms, calling out for a nurse. Not the calmer parent, my father.
Then he passes the church. I look for her car—a Prius, of course, because she makes every choice based on doing no harm, the Hippocratic oath for ministers. It isn’t there. She’s with a parishioner. Or home, waiting for me. But the church, gleaming under the floodlights, with its clean white lines, its utter clarity, feels like her. Familiar.
We pull into the driveway behind the pale green of her car. She beat us home. And then we walk into the house through the back door. The light over the oven glows dim. We walk past the appliances—also new, my Dad has been busy—and into the living room, where my mother sits, sleeping, her graying curls and pale Irish skin shadowed by the lamp light, next to the end table upon which rests her white priest collar. I look at the shape of her mouth, the upturn of her nose, the long, slender waist and legs, and see myself in thirty years.
“Alex,” my Dad says softly. She jumps awake.
Uncanny, the way she can leap into full alertness at the sound of her name.
She stands, moves to me so quickly I feel her arms pulling me in before I can react to the fleeting look of despair that passes as soon as she thinks I see it. She holds me tight, a shock . . . my mother never grabs me like this. And then I think, oh, right, ministering to the dying mother who won’t see her daughter again. What my mother has witnessed, what she has touched, and now me, all messy, screwed up life . . .
I smell coffee on her breath, the icky sweet of a sickroom on her clothes. I feel the usual sinking of guilt.
“Hi, Mom,” I say.
She doesn’t pull away. She’s taller, so my face rests just on her shoulder.
“What is it?” she says softly into my braided hair.
I step back and she lets go immediately.
“You’re tired,” I tell her.
She turns to my father. “Can you make us pancakes, Charlie?”
Pancakes, the answer to every problem. He’ll probably put blueberries in them, or chocolate chips. The three of us, in our dance, the one whose moves never change. Breakfast for dinner. Welcome, crisis, or both.
He takes a short breath, the one I know means he feels left out already. He even hesitates, looking at me. But then he smiles, says, “Sure,” and I’m left alone with my mother, the thing I want, and don’t want, and crave.
“So?” she says. “Ready to come out of the closet?”
“Ha-ha.” I take off my jacket and drop it on the couch.
“So you’re not ready.”
“How can I be in the closet if you’ve already told me I’m gay?”
She smiles, not reacting at all to the resentment in my voice. “Are you gay, Sarah?”
I cross my arms over my chest. “Probably,” I mutter. “I’m not straight, anyhow.”
“Good enough.”
We look at each other. Crow’s feet have started to deepen around her eyes, as have the lines at the sides of her mouth. They make her look fierce and kind at the same time. As if age can only make what shines out of her more beautiful.
How I hate that I see this. And yet I want to reach her because of it. I want to tell her everything I can’t articulate to myself.
“I might have a girlfriend,” I say. “Or a girl/boyfriend.”
“Gender queer?” she asks.
I glare at her. “You know, if you’re too cool, it’s not cool at all.”
“So, she’s gender queer?”
“Oh, my God, Mom. Yes, she’s gender queer.”
My mother’s dark blue eyes darken further. Whatever she’s seeing isn’t what I want her to see. What I want her to know, what I’m afraid of her knowing, what I’m dying to blurt out except for what she might think of me. She stands in her standard black pants, in her untucked minister’s shirt, in her practical shoes, the silver attachments for her collar pulling the cloth open at her neck. Tall, still pretty in that corn-fed way, her face intelligent and kind as she looks at me.
“Mom?” I blurt. “Did you ever love someone, like, before Dad?”
Leaving Winter for a Desert Sky
Chapter 1
“Erin stood in the school hallway, shaken out of the six years of her life in Spain, France, and Japan by her mother’s voice. She could feel the moment like a snapshot, a stilled image before everything shifted away from her toward an end she couldn’t see. Until now, Erin had told herself it was easy to endure her mother’s hostility on her yearly visits, easy to stay with friends and sneak to see her sister, and easy, always, to leap again onto the wide sweep of road she’d taken to get away from home. In the beginning of December, the secretary at the language institute in Madrid where Erin taught English had come into an empty classroom and handed her a message. She stood dumbfounded at first, blonde eyelashes shading her pale blue eyes, almost too shocked to recognize her mother’s name. She had looked at the secretary’s dark skin, into her darker eyes, before turning to the classroom window. Fumes from the cars blew up from the street; the gray Madrid sky shifted so a brief glimpse of light slipped through as if by mistake. She opened the note. It said to call whenever she could. Now.[…]”